Thursday, December 24, 2009

Monday Nights with Chogyam Trungpa Offers Sanity to End 2009

The Chogyam Trungpa Legacy Project, working together with the Shambhala Archives and the Halifax Shambhala Center, offers a Monday Night Class from September through June in Halifax, Nova Scotia, featuring the teachings of Chogyam Trungpa Rinpoche. The class has often focused on the DVDs of Trungpa Rinpoche teaching in the 1970s and 80s. Now, going into its fourth year, we have been experimenting with other formats. This fall we decided to offer a class on the book The Sanity We Are Born With: A Buddhist Approach to Psychology, a compilation of writings on mind, meditation and psychology that was put together in 2006 from Rinpoche’s writings.

The Sanity Class, as we came to refer to it, was facilitated by a group of more than a dozen psychotherapists and health professionals who are practitioners in the Halifax Shambhala Community, many of whom have a connection with Naropa University in Boulder, Colorado. Some of the presenters taught there and helped to develop the psychology curriculum; others were trained there. Other presenters have made a connection with Trungpa Rinpoche’s teachings in other diverse ways. Each week one or more of the facilitators presented material on a topic from the book, also bringing in their experience with this material in their own work.

The headlines for the six weeks were:

Week One: Meditation and the View of Basic Sanity
Week Two: Mindfulness and Awareness
Week Three: Ego and the Six Realms
Week Four: The Five Buddha Families and Maitri
Week Five: Creating an Environment of Sanity
Week Six : The End of the Journey and Open Discussion

Each week between 45 and 65 people attended the class. Between 25 and 30 people were completely new to the Shambhala Center. Many were mental health professionals with an interest in Buddhist psychology. We are still reviewing the evaluations from the course, but in general, people were appreciative and inspired. One of the outcomes will be a syllabus to be used by other Shambhala Centers with an interest in presenting this material.

For further information, please contact Carolyn Gimian at cgimian@suchns.com. I can put you in touch with some of the facilitators or the coordinator of the class.

Monday, June 01, 2009

First Thought Photos Conclude Year Three of MNC

First Thought Great Thought


At the Monday Night Class in Halifax this past Monday, May 25, 2009,Andy and Wendy
Karr presented Part One of FIRST THOUGHT BEST THOUGHT: Photographs by
Chogyam Trungpa Rinpoche. One hundred of the documentary and dharma
art slides of the Vidyadhara, Chogyam Trungpa's work were shown with introduction and
commentary by the Karrs, as well as audience participation. Andy gave
a brief introduction to dharma art and contemplative photography;
Wendy spoke about the scope of the Vidyadhara's photographic work and
read poetry to accompany some of the slides. However, there was a lot
of space and silence, so that the audience could fall into --
appreciate -- these extraordinary ordinary images.


The Vidyadhara's "subjects" in the photos included a very regal tiger
in Bhutan, taken from so close that one audience member asked whether
the tiger had been photoshopped into the slide. A tiny green frog in
closeup and a spider in her web were equally arresting. The eyes and
brows of a beautiful young woman (who will soon turn 60), a portrait
of one of Rinpoche's students who recently turned 70 (you know who
you are), and other "humanoids" were delightful. But nature stole the
show with grass, water, sky, rock, mountain, tree dignity. Early
slides from the 1960s, of the Young Lamas' Home School in Dalhousie
and from the Vidyadhara's trip to Taksang in Bhutan, were also included.


June first, Part Two of the slideshow will focus on the Five Buddha
Families in Trungpa Rinpoche's photography. Applying the buddha
families was one of the approaches to photography that Rinpoche
himself used. A completely fresh set of images will be shown.


Andy and Wendy have scanned and created a database for more than
1,500 slides of the Vidyadhara's work, using a film scanner
generously on loan from Michael Wood. Their work is being done under
the auspices of the Shambhala Archives and with financial assistance
from the Chogyam Trungpa Legacy Project.


Due to technical problems encountered with the scans, approximately
300 images will need to be rescanned in the next few months. Then, if
there is sufficient funding, the Archives would like to complete the
scanning of the black and white and color prints of the Vidyadhara's
work held in the Archives. This is approximately another five hundred
images. Many of these photographs were generously donated to the
Archives five years ago by Lady Diana Mukpo.


Scanning the photos is just the first step in the process of making
this material available. The Archives will post some of the images
on its website, and we are also in discussions about making a limited
group of prints available.


For interested groups, Andy and Wendy may be available to take this
show "on the road." They are senior students of Chogyam Trungpa
Rinpoche and are dharma artists as well. Andy has been a photographer
for many years, and is currently working on a book with Michael Wood
about contemplative photography, to be published by Shambhala
Publications. Wendy is both a student and a teacher of ikebana, whose
arrangements have been included in a number of shows and
installations. They bring love and sensitivity
to their work on the Vidyadhara's photographs, gently illuminating
and bringing out the emotional depth of the images. For further
information, please contact Carolyn Gimian, cgimian@suchns.com, or
Andy Karr, akarr@shambhalasun.com.


This work on the photographs of Chogyam Trungpa Rinpoche is a prelude
to the digital copying and preservation of the more than 60,000
photographs in the Shambhala Archives. If we are able to secure
funding and with the participation and approval of the photographers
whose work is represented in the Archives, we hope to launch this
huge endeavor within the next twelve to twenty-four months.


This wonderful feast of photographs concludes year three of the Monday Night Class. The MNC is sponsored by the Chogyam Trungpa Legacy Project, with support from the Shambhala Archives and the Halifax Shambhala Centre. The class is a kind of laboratory for curriculum related to the teachings of Chogyam Trungpa.

Friday, December 19, 2008

Year End Letter

November 27, 2008

Dear Friends of the Chogyam Trungpa Legacy Project,

We are expecting more than 500 students to gather together in Halifax, Nova Scotia this weekend for Dzongsar Khyentse Rinpoche's program presenting teachings related to TRANSCENDING MADNESS by Chogyam Trungpa. It seems to be a good time to review what the Legacy Project has been doing and planning. The future direction of the Legacy Project depends on the wishes of everyone who participates. The seminar this weekend is, among other things, a reflection of these intentions and desires. Our current projects include:

FINANCIAL SUPPORT FOR EDITORIAL PROJECTS:

* We are helping to raise funds for the Root Text Project (based on the Seminary Transcripts) and other forthcoming books by Chogyam Trungpa. We hope to support many future projects.
* In the future, we would like to start a fund for training young editors, so that they are well schooled in the teachings of Chogyam Trungpa and also prepared as editors of his dharma teachings, through apprenticeships and other means. This model could also be applied to other apprenticeships.

PROGRAM DEVELOPMENT AND CURRICULUM:

* The program this weekend on Transcending Madness is in part the result of the efforts of the Legacy Project to invite lineage teachers to present the teachings of Chogyam Trungpa in our community and within their own. We hope there will be many more such programs throughout North America.
* Currently the Legacy Project is working with Nalandabodhi, at the request of the Dzogchen Ponlop Rinpoche, to develop a course on the Essential Chogyam Trungpa for their centres.
* In 2007, the Nalanda Translation Committee invited the Legacy Project to be a co-sponsor of Karma Senge Rinpoche's presentation of the terma teachings of the Vidyadhara. We helped to select material for a booklet published in connection with the Avalokiteshvara Abhisheka presented in three locations in Canada and also co-sponsored a follow-up course in Halifax on the dzogchen teachings of the Vidyadhara in relationship to the Avalokiteshvara practice. We look forward to being involved in future visits of Karma Senge Rinpoche throughout North America.
* The Legacy Project has asked Sakyong Mipham Rinpoche if we may help in the future presentation of the Sadhana of Mahamudra and related teachings to other Buddhist sanghas, something he has expressed an interest in undertaking.
* The Monday Night Class in Halifax presents teachings of Chogyam Trungpa, via audio/video presentations, discussion groups, workshops and other formats. The class also serves as a 'laboratory' for the development of curricula and syllabi. The Legacy Project is working with the Shambhala Archives and Kalapa Recordings on curriculum development and the digital remastering of the material used in the Monday Night Class. A number of digitally remastered DVD sets have come out of this collaboration.

VIRTUAL ARCHIVES AND DIGITAL REMASTERING

The Legacy Project initiated discussions among the Shambhala Archives, the Chronicles of CTR and other parties interested in the development of an online archive of the teachings of Chogyam Trungpa Rinpoche. We hope to be an important agent for the implementation of this project. Individual sangha members and centres throughout North America and Europe have expressed enthusiasm for seeing this project go forward.

SUPPORT FOR TARGETED PROJECTS WITHING THE SHAMBHALA ARCHIVES

* An important feature of the Legacy Project is to target projects within the Archives, such as the virtual archives, and to help fund and provide volunteers and staff for various initiatives. Currently, we are working on several projects and helping to fund them. Funds donated to the Legacy Project are providing support for work on the collection of the Vidyadhara Chogyam Trungpa's personal and spiritual belongings from the Labrang, in preparation for its appraisal and donation to Shambhala.
* At the moment, we are working with the Archives and generous volunteers, photographers Michael Woods and Andy Karr, on the digital remastering and preservation of more than 1,000 of the dharma art photographs of Chogyam Trungpa Rinpoche.

OUR LONG-TERM ASPIRATIONS
* These include the establishment of a library and museum to showcase and preserve the Vidyadhara's work. At the moment, we need to establish a good foundation from which we can build. Please join us. We need your ideas, your donations, and your passion to help support the legacy of Chogyam Trungpa Rinpoche, which belongs to all of us and to many more sentient beings.

The Advisory Board of the Chogyam Trungpa Legacy Project


Helen Bonzi, Walter Fordham, Carolyn Gimian, Wendy Karr, Judith Lief,

Thomas Hast, Larry Mermelstein, Miriam Tarcov, Sara Bercholz, David Rome


* * * * * * * * * * * *

A Recent Message from Sakyong Mipham Rinpoche, November 2008, (via David Brown): Rinpoche continues to support the concept and purposes of the Legacy Project and the commitment it represents to preserving and making available the teachings of the Vidyadhara. He appreciates the role of the Legacy Project in co-sponsoring last year's visit by Karma Senge Rinpoche, the audio-video classes being offered in Halifax, and the generous support the project has given to other activities.

****************************

Donations to the Chogyam Trungpa Legacy Project can be made out to the CT Legacy Project and sent to:

CT Legacy Project
PO Box 33035
Halifax, NS
Canada B3L 4T6


In the USA:

CT Legacy Project
c/o Ashoka Credit Union
525 Canyon Boulevard
Boulder, Colorado
80302 USA

Tuesday, June 17, 2008

Monday Night Class in Halifax Concludes Year Two

Last night, fifty of us gathered in the main shrine room of the
Halifax Shambhala Center to watch the final two talks of Journey
without Goal, the tantra seminar given by the Vidyadhara, the
Venerable Chogyam Trungpa, in 1974, the first summer of Naropa. As
the talk wound to an end, the group sat very still, transfixed it
seemed by the images captured in black and white more than 1/3rd of a
century ago. At the end of the tape, the screen became grainy and the
Vidyadhara's voice somewhat gravelly, and there was a sense that this
intimate portal into a time past was beginning to break up. Yes no
one wanted to leave the space. When the tape ended, there was almost
an audible sigh emitting from the Haligonian group of students, old and new.

At the same time, this "time capsule" was an up to date hard hitting
series of dharma talks, mind blowing and appropriate for these times,
in fact, in their intensity and the personal flavor of the teachings
being transmitted. Hearing the tantric concepts of nadi, prana and
bindu described as a radar system (bindu) mounted on a wheel (prana)
travelling along the railroad tracks of nadi was at once bizarre,
humorous, and illuminating. Even THIS was about our experience.

The Vidyadhara wondered aloud if it was dangerous to put this
information into people's hands. Would they use it to manipulate
their world in an egoistic sense? Could they truly appreciate the
value of doing nothing?

This original seminar was the basis for one of Chogyam Trungpa's many
books: JOURNEY WITHOUT GOAL: THE TANTRIC WISDOM OF THE BUDDHA. The
seminar replaying this material in Halifax -- which ran Monday nights
from March 2008 until last night -- was a testing ground for the
material, before distributing it to others. The lectures are still
being digitally remastered and copied to DVDs, while a study guide is
being written as we progress. Here, we watched old-fashioned VHS
tapes, which are of remarkably good quality. The new DVDs should be
available by Fall of 2008.

The Monday Night Class in Halifax began in the Winter/Spring of 2007.
We have now studied three seminars by Chogyam Trungpa from 1974: The
Tibetan Buddhist Path; Meditation: The Way of the Buddha; and Journey
without Goal. Additionally, during January and February of 2008,
about 100 Vajrayana students gathered every Monday for 6 weeks to
practice the newly transmitted terma from the Vidyadhara: the
Avalokiteshvara sadhana conferred by Karma Senge Rinpoche last year.
We paired the practice of the sadhana with reading, contemplation and
exposition of some of Trungpa Rinpoche's dzogchen teachings.

Starting in September 2008, the Monday Night Class will show DVDs of
a Dharma Art seminar by Chogyam Trungpa, alternating with workshops
taught by some of his senior students. Object arrangement, ikebana,
mudra theatre, and other aspects of artistic practice and process
will be explored.

Next winter, Vajrayana students will be invited to view and
contemplate videos of the EVAM seminary taught by Trungpa Rinpoche,
the basis for parts of GLIMPSES OF SPACE. And next spring, we will
offer some of the talks from the Wisdom and Skilful Means series
originally taught in Northern California in 1976.

The Monday Night Class is organized by the Chogyam Trungpa Legacy
Project to benefit the Shambhala Archives, the Halifax Shambhala
Center, and the Legacy Project itself. In the future, as the acting
director of the Legacy Project, I'd like to help other centers to
include more of this kind of programming. If you have questions or
need help with a class, you can contact me at cgimian@suchns.com. I
may be able to refer you to one of the people helping with the class
or offer you some support myself. Similar programs are being offered
in a number of other locations, including New York, Boulder, and
Margaree, Nova Scotia!

Friday, January 11, 2008

Another Boy without a Name Contribution

The Boy Without a Name continuation:


"Do you find food on your own" said the boy. He realized he was
terribly hungry and he felt,sadly, that with this up-tight sap,
perhaps he'd made enough of a fool of himself already.


Bah Humbug to you to then said the boy, and he headed down the road
toward the mountain.


The boy was terrified as he knew he could not find food alone. Terror
turned to panic as he contemplated participating in the production
system of the adults. He knew that somehow he had to sing them a song
that would help thm loosen their grip on their petty schemes.


Oh, what about his nice pleasent travels to the peak of the mountain.
He got an anxious feeling that the two tasks must be done if either of
them were to be done.


He thought about his song.


All the adults were afraid to stand still. That's as good as a start
as he could come up with after a long perplexing thought. If they
could do that, they could enjoy all kinds of things. What were they
so affraid of?


they wanted to take and own things from the hills, forests and meadows
around the mountain. Was that it?


If so he would have to try his best to give them what they wanted.

Sunday, January 06, 2008

More Endings to "The Boy without a Name"

More story endings for “The Boy without a Name.”

Jabez Martin wrote:

Boy: but, I am not like most humans, Magpie. I live by myself and, if I could, I would fly free – like yourself. I live off of berries, greens and roots; and, drink the cool clean water of the streams – like you. I am not a meat eater. So, I will not kill you for food.

Magpie: I see you are a Boy who thinks I should take time to talk with you and believe you at your word. Tell me why I should trust the words you speak.

Boy: Magpie, I only want to learn why and how the snowmountain can be so compassionate, allowing us to use him~feeding off his body, and remain untouched by the changing seasons.

Magpie: Boy, you expect to learn the why and the how of snowmountain by simple questions. Do you even know how many seasons snowmountain has existed? Can you imagine all that has passed before you – taking shelter in the caves and trees, harvesting the berries, nuts and roots, listening to the quiet of the forest and marveling at how the clouds circles the top of snowmountain as if cushioning the top from entry into the crown of existence? And, you say you want to learn the why and how of compassion. You have yet to tell me why I should trust you, let alone what qualifies you to even ask such questions.

Boy: Magpie, you should trust me because as I look into your eyes you can see my intent is honest. And, as far as qualifying myself for receiving such teachings, I have spent this time on earth in aloneness, never being a part of the mainstream crowd nor yearning for

the silver coins they seek. I know that I have only had a few seasons; but, I have spent these seasons in alone time observing humans and nature; but, most of all, seeking truth.

I know that you are wise and in your flights you observe the happenings from higher level so you see and know much more than I. When you are high in the sky you can see far distances and, I believe, you know why snowmountain can be so compassionate and kind; and, how snowmountain can continue to be throughout the seasons.

Magpie: Listen closely, Boy. Compassion comes from being grounded and experiencing season after season, knowing that it takes real strength to be gentle and real gentleness to be strong. And, to continue to be so throughout the seasons comes from knowing it is the right thing to do for himself thus drawing the strength to be who he is. Go about your way, Boy and experience.

Boy: But…

Magpie (as he flys away): remember to stay grounded.

Pamela Kaur wrote:

"I haven't time to waste on chattering with you," said the magpie, "I'm busy looking for food. And in any case you humans are usually full of trickery and you might be planning to kill me....”

I know you have no reason to trust me - but, I'm not planning to kill you or to trick you. I'm new to the area and just wanted to ask a question. I promise not to take up too much of your time.

Well, okay - I can't promise to answer it - but what is your question?

I spent the whole morning looking at the mountain, but it's impossible to understand it all. Sometimes he seems to be smiling in the brilliant sunlight, and sometimes he stands solemn and aloof while snow storms rage around him. Occasionally he shows himself in all simplicity, without adornments, and at times like those, one sees him directly and feels very close to him. His stillness and dignity are always there and remain untouched by the changing seasons. The days and months of the year don't appear to affect him. This mountain seems to have a kind and compassionate nature, as he allows all kinds of birds and animals to live on him and to feed off his body. But I felt I should know more about him....


What more do you need to know? Is it really necessary to understand? He is what you perceive him to be. To you, he has grace; he is kind, compassionate, and giving to all who come his way. What more do you need to know? Does it matter who he is, or what others perceive him to be?

Paulette Callen wrote:

I understood his fear. I had seen grown-ups do many bad things to animals. I said, “I don’t want to kill you. I want to learn about the mountain. Can you help me?”
The magpie eyed me with his clear and brilliant gaze. I waited.
Then he said, “Ask the mountain.” And he flew away.
This wasn’t the advice I had expected, but I considered it and decided it was as good as any, so I sat and gazed at the mountain again, as I had been doing, only this time I tried to see with the clear and brilliant gaze of the magpie. I am sure that grown-ups had given this mountain a name, as they like to do with everything else, and I was very glad not to know it. It would only have come between the mountain and me. Without knowing what other people called the mountain, I could see it as it really is and perhaps learn its real name. As I was waiting to learn my own.
As I said, it is my way to stay no more than 10 days in one place. I had spent 10 days with the mountain and it was my time to move on. I stood and bowed deeply to the mountain, thanking him for his teaching, and continued my journey.

Madeline Schreiber wrote:

THE BOY ... part 3

Day two of my journey, and the days to come held incredible surprises for me. Creatures, people and circumstances began to gather around me whether I was on my way or just resting somewhere. I glanced at them all but this was the stuff of grown-ups, and since I did not have a name I did not need to participate. But I wondered at all the busyness and I learned how to feel sad; not the same dark sorrow of the grown-ups, but I felt a longing to show them the specialties along the way, and to listen with someone to the songs of birds and wind.

I made friends with my sadness, and hand in hand we sat down. We remembered our majestic snow mountain together. Somehow, that day I knew that my journey was complete; my sadness and I need never move again. We were still. To this day I don't quite know why our stillness drew so much activity to us. People took up settling on our slopes; grains and flowers blossomed; wars were fought; love was born and died. I am so grateful to my tibetan snow mountain and my sadness. Even though I still have never moved I have seen many sunrises and sunsets. And to be sure I have heard laughter as well as crying. If I have ever had a name I have forgotten it now.

Snowy peak to awaken splendor
Broad expanse of shoulders
draped with arms of friends
Caves for yogis in earth's granite bedrock
Snow mountain, you are all I ever knew

And finally, Jacqueline Gens wrote this:


Part III How the Mountain Became the Boy’s Home


Slowly, I continued on my journey to nowhere around the great mountain, now my only companion, whose changing face continued to intrigue me with its mystery. Wherever I stood, the great mountain seemed a multiplicity of presence with its moods changing moment by moment. Was it the mountain that changed or me? I needed to know more.

One day I came upon a Ki kee bird*

“Tashi delly”, I said.
“Tashi delly” the Ki kee said hurriedly.
"I wonder if you’d be very kind,"” said I, "and answer some questions for me.”
“What do I know, I’m just a silly bird running this way and that looking for my mate.”
“Ki kee Ki kee Ki kee,” the little bird chirped, “Stop bothering me!”

Although many beings passed near to the mountain, none seemed to regard its majesty. Just me. How sad, I thought.

My life continued for quite a few jolly years, I don’t even know for how long. There were so many things to experience as I circumambulated the base of the great mountain. Beings came and went like the seasons and always it was just the mountain and me together wordlessly braving the elements, sometimes harsh, sometimes lovely to bask in. I was never bored for I noticed everything.

One day, I came across a ferocious looking she-dog flea bitten with swollen teats hanging to the ground and wild yellow eyes. Although I doubted she would know much about the mountain since her sufferings might have distracted her perceptions, before I could say, “Tashi Delly”, the old she-bitch, herself said,
“Tashi Delly,” her canine mouth smiling widely. “Well, sonny boy, I ‘ve been waiting for you a long
time. What took you so long?”
Speechless, I could barely say, “Me?” in a tiny voice.
“But I’m the boy with out a name who lives alone. Why would you be waiting for me?” Thinking she might attack me, I stepped back a bit.

But then the she-dog stood on hind legs and sang this melodious song in a sweet voice.

Boy, you think you are happy here in this valley in the shadow of the great one.
It’s time you grow up and climb this peak.
There you will behold the majesty of all the worlds
beyond even your imagination.
There you will truly enter the company of gods
for you have a destiny to fulfill
Your days of playing with sticks and stones are long past.
Lolling in the summer grasses is mere child’s play.
Become the man that you are destined!
Go find your name.

Then, she vanished.


Everyday, I contemplated the old mother-dog’s words, as my heart was sore with longing to understand more. Was I going to circle the mountain my whole life or climb this Peak? Had the mountain indeed become my home? If I had a home, then maybe I had a name too, although I didn’t particularly need to have a name. Why did I need a destiny if I was perfectly happy alone and without a name? I wanted to stay a child forever instead of passing my time in useless and trivial grownup concerns.

Hadn’t the mountain** already taught me so much—From a distance, I perceived its greatness; moving around it, I experienced it’s myriad moods about the nature of change. The mountain became for me a living breathing entity alive with all the elements. The mountain was my only friend.

Part IV How the Boy Got a Name


Since I was no longer interested in the stupid pursuits of humans dwelling among the dusty plains always in search of food, wealth, and worldly distraction, there wasn’t much for me to do except wonder even more about the mountain.

One day at the peak of my longing, I just began to climb my old friend the mountain—just like that. Every day, the mountain offered me its bounty of sweet smelling grasses and alpine flowers, medicinal herbs for sustenance. Now, I really was alone since I could no longer see my mountain and I was truly happy. With each step, I neared the summit, which was now beyond my view and sheathed in misty clouds. I had become the mountain. Was this destiny the old she- dog sang of—to become inseparable from the mountain?

On my ascent many marvelous animals crossed my path. In the deep forests, tigers roamed with ease,
moving purposefully with keen senses. Further up the mountain, the elusive snow lion frolicked playfully among the snow peaked ridges in the crisp air and dazzling sunlight. Inwardly, I leapt with the joy of fearlessness in meeting these creatures far from the dominion of men. As I approached the high summit, giant garudas circled overhead, their huge wings spanning continents and I was filled with awe. After many days, I reached the summit. I don’t even know how I did it since there was no longer any path to follow, neither foothold nor places to grab on to. Inch by inch, I slowly made my way sometimes resting my mind on the bare rock until the mountain presented itself to me or other times, gazing at the great expanse before me until my body and mind moved in perfect unison.

When I reached the summit—to the west, I saw glorious sunsets; to the east, I saw the sun’s first rays; in the north, I saw legions of storm gathering clouds swirling furiously; to the south, breaking through the mist, I saw numerous villages and towns,

Above me space was filled with the dragon clouds.
How wondrous, I thought. I felt that I could do anything, even fly!

After some time, seeing the villages below through the parted mist stirred in me a deep sadness that the people below did not know what I knew. Then, I understood my destiny. I had to join the company of grown-ups down below and tell them of my journey-- how they too could become one with the mountain. That was how my journey began and so I needed a name for the others to call me. There at the peak of glorious Meru, I heard the sound of my name-through the wind…Oceans….Oceans..Oceans..Oceans.. Oceans…of dharma. That’s how I got my name.


Jacqueline Gens
Brattleboro, VT
12.26.07 & 1.1.08

* Sorry, folks I made the name of this bird up based on recollection that there is a Tibetan “two note” bird.
**To see the greatness of a mountain, one must keep one's distance; to understand its form, one must move around it; to experience its moods, one must see it at sunrise and sunset, at noon, and at midnight, in sun and in rain, in snow and in storm, in summer and in winter and in all the other seasons. He who can see the mountain like this comes near to the life of the mountain, a life that is as intense and varied as that of a human being. Lama Govinda (48K) Mountains grow and decay, they breathe and pulsate with life. They attract and collect invisible energies from their surroundings: the forces of the air, of the water, of electricity and magnetism; they create winds, clouds, thunderstorms, rains waterfalls, and rivers They fill their surroundings with active life and give shelter and food to innumerable beings. Such is the greatness of mighty mountains....
In the dust-filled valleys and low plains of our daily existence we have forgotten our connections with stars and suns; and therefore we need the presence of these mighty signposts and milestones to shake us up and arouse us from the slumber of self-complacency. Not many are there who hear the call or feel the urge to rise from under their thick blanket of petty self-interests, of money-making or pleasure-hunting, but the few whom the call has reached, and in whom the longing for greater things is still awake, form a steady stream of pilgrims who keep alive the traditions and knowledge of these sources of inspiration.

The Way of the White Clouds, Lama Govinda,
Hutchinson, 1966

Thursday, January 03, 2008

Boy without a Name: Some endings

THE BOY WITHOUT A NAME, Part Two by Chogyam Trungpa

....I don't really have a home and I never spend more than ten days in one place. Originally I came from East Tibet and I traveled westwards to the lands of Lho and Mon. Grown-ups tend to stay in the same place for a long time and when they do travel they're so busy they never have time to look at the valleys and mountains around them. They don't even notice the interesting stones on the road, or the flowers, but just trample over them.
Of course they never have time to play and all they talk about is how many silver coins they've got and how many yaks their neighbor has. If you ask them to tell you about Lhasa they only know about the big shops in the Barko Market and things like that. They don't seem to know about the birds' nests under the edge of the roofs and the millions of insects that live in the city, beside themselves. So the only way I can see them is by going there myself.
Tibet is such a beautiful country and each part of it has its own particular quality. There are lots of mountains and lakes and trees and things. There are so many things to see that my journey may take me a hundred years. The grown-ups race and fight against time, but for me time is a friend and I have no need to hurry.
Today is the first day of my journey, so here I am, playing in the road. I've only traveled 50 yards or so, but it would take the grown-ups ten years to learn what I've learned in this one day. When I looked up and saw the snow'mountain on the other side of the river, I composed the following song:
O pillar of the sky, you high-peaked mountain of Tibet,
You're surrounded by hills with flowering shrubs and many kinds
of herbs,
But your all-aloneness and your stillness still show through
As you wrap your peaceful cloud around your neck.

The peak of this mountain pierces the sky and his snowcap glitters in the sun. The clouds move slowly across his shoulders, and when you see him, it's as though you see the whole of Tibet in one glance. I spent the whole morning looking at the mountain, but it's
impossible to understand it all. Sometimes he seems to be smiling in the brilliant sunlight, and sometimes he stands solemn and aloof while snow storms rage around him. Occasionally he shows himself in all simplicity, without adornments, and at times like those, one sees him directly and feels very close to him. His stillness and dignity are always there and remain untouched by the changing seasons. The days and months of the year don't really affect him. This mountain seems to have a kind and compassionate nature, as he allows all kinds of birds and animals to live on him and to feed off his body. But I felt I should know more about him, so I stopped to ask a magpie who was perching
on a rock.
Tashi delly, I said. (Thats how we greet people in Tibet.)
Tashi delly, said the magpie in a rather suspicious tone of voice.
"I wonder if you’d be very kind," said I, "and answer some questions for me.
"I haven't time to waste on chattering with you," said the magpie, "I'm busy looking for food. And in any case you humans are usually full of trickery and you might be planning to kill me....

Part Three as contributed by Ocean of Dharma subscribers.

Kate Abato’s ending:

If I kill you, you wouldn't be able to answer my questions.

Frank Reynolds wrote:

THE BOY WITHOUT A NAME, Part Three

By Frank Reynolds

I reached into my bag and drew out a handful of assorted seeds I’d collected on my journey. Sometimes I scattered these seeds so that the trees, bushes, and flowers that had generated them could journey and grow in new places, but sometimes I would eat a handful, so I knew they were tasty. I placed them on a rock a few paces away from the magpie, and a few paces from the rock on which I’d been sitting, then I returned to my rock and sat again.

“Now you don’t have to look for food,” I said, “nor do you need to worry about me harming you because the rock where the seeds are piled is well beyond my reach. I have more seeds if you’re still hungry after eating those, and all I ask in return is that you answer a few questions for me.”

The magpie cocked her head for a moment and scrutinized me with one gleaming eye, but this posture left her other eye aimed directly at the delicious seeds. Soon her appetite overcame her wariness and she fluttered to the other rock and began pecking voraciously at the seed pile, always keeping me in view. She gobbled up the entire pile of seeds so quickly that she seemed almost embarrassed to then ask, “So you say you have questions? And more seeds?”

“First a few questions,” I said, “and then a few seeds.” I told the magpie what I’d observed about the snow mountain, and sang the song I’d just composed, then asked her what more there might be to know about the mountain.

“Oh, there’s much more,” she said, “much, much more.” Now I became the suspicious one, wondering if the bird might fabricate or embellish her stories in quest of food, but since I was more inquisitive than suspicious, I dropped a few more seeds on the rock where she had first perched, resumed my seat, and said, “Then please tell me what you have to tell.” Hopping from rock to rock this way, devouring seeds and chirping out her story, here is what the magpie said:

“This mountain is very unusual in that it has no name, but it changes appearance so much from day to day, from season to season, and when viewed from different sides that no name seems to apply, except “nameless mountain.”

But it is even more unusual because it did not start out with a mountain but as a man, a man with no name. This man once had a name, and owned a big shop in the Barko Market in Lhasa with his name on the front in large letters. Since he was a clever merchant he amassed many silver coins and built a big house near the Potala and married the most beautiful maiden in Lhasa and fathered several children. He was also quite generous, as merchants go, donating to monasteries and extending credit to herders after a hard winter. But then one year after the harsh icy winds had become mild breezes and flowers had begun to bloom in the highland meadows, his wife took their children out for a picnic in the mountains while the merchant worked in his shop. An avalanche roared down and buried the family with barely a trace – all that was found was a scrap of the cloth on which they had been sitting and shards that the merchant recognized as his wife’s favorite cup.

“This event left the man desolate. His prosperous life in Lhasa lost all meaning. He stopped tending his shop, so soon it was looted of all its wares. He left his home, which became an encampment for nomads and a nesting place for birds and squirrels until the walls weakened and the timbers gave way, rendering the former mansion a pile of rubble. By then the merchant was long gone, however, travelling the world as a man with no name and no fixed abode, but noticing everything – noticing more and more, it seemed. What started out as flight became a journey.

“Though he no longer had a name or anything to sell, people who encountered the man on his travels began to notice that this strange wanderer radiated qualities which attracted them: wakeful appreciation of the world, openness, simplicity, vast freedom, and dignity suffused with humor. His laughter, it was said, seemed to emerge from some deep cavern in the earth itself.

“So people often gathered and offered hospitality to the man with no name as he journeyed through their villages, asking him questions and listening to what he had to say, and thus learning a great deal that eased their confusion and suffering. Almost everywhere he travelled the villagers would try to get him to take up residence, but the man with no name was never tempted to settle again, until he realized that his life was coming to an end and that he would have no choice in the matter.

“That was when he came here. It is hard to imagine now, but this was once a dry and desolate place, ravaged by wind so relentlessly that practically nothing grew and no animals or people could be sustained here. Yet the man with no name came here nonetheless and simply sat in meditation posture on the barren plateau. It is said that sitting this way, he died with the wish to be of great benefit, for this great mountain appeared around the very spot where he had taken his seat and died, diverting the ravaging winds, gathering rain and snow clouds which water the surrounding desert and make it verdant, providing homes and sustenance for birds and animals, offering meadows where nomads graze their herds and snow lions romp in the fragrant air. The mountain connects earth and sky in a way that is ever-changing in appearance yet indestructibly constant in essence.

“It is said that of all the benefits offered by the mountain with no name, the greatest is inspiration,” the magpie summarized. “A wise woman came here once and discovered a jeweled case embedded in an obsidian wall of a cavern in the mountain’s very heart. She opened the case and drew out a scroll on which a prophecy was written proclaiming that one day someone would come who would fully appreciate the mountain’s qualities, embody them, and be able to draw these qualities forth from others.

“Aha,” the bird concluded, “since it seems that both your seeds and my story are exhausted, I’ll be off.”

I watched the magpie fly straight as an arrow shaft toward the mountain’s glimmering peak, become a dot against its radiant snow cap, and disappear. Then I resumed my journey, alone.

John Eberly wrote:

THE BOY WITHOUT... part three/the end
by John Eberly 12/26/07

This was exactly the answer I thought I'd get and it delighted me when the magpie flew away toward something tasty.

Although I had not traveled far, I knew that traveling means going from here to there and when you get there its here and you're always looking there so I decided to just stop and be wherever it was that I found myself.

And so here I am, and here I stay, living alone but with everything at the same time, without time or space, or name or place. You may decide to travel like I did, and and if you do, you will no doubt see many wonderful, beautiful, extraordinary things, but if you find me, I think you will be disappointed!

THE END

Mark James Fischler wrote:


Yes Magpie our self absorption is a painful part of the human story. If I may though, what does the mountain do that we don't?"

"The answer is in the nothingness that the mountain does, "said the Magpie. "You see there is no mountain. Ask the mountain it's name and it replies as the nameless. Ask the mountain what it does and it will share that it just is. The beingness let's the mountain share its riches, without getting caught up in the human tragedy. That's why the mountain and I walk the same path. Now let me sing, eat, fuck, shit and die."

As the nameless I too will float through the universe on a cloud of dharmic fumes living the life of a bodhisattva.

Lynn Johnston wrote:

In my opinion it would be a shame to give this story an ending.

She offered this continuation:

I was sad to learn that magpies become adults too. I turned away without a reply and continued on my journey that has no end. My eyes wonder at the beauty surrounding me and I am filled with peace and joy as I stop a few steps up the road to watch a bee gathering nectar from a flower.

More endings coming in the next few days!